The Strange Case of Dr Jekyll and Mr Hyde is Robert Louis Stevenson's thriller allegory of a medical experiment gone wrong and dual personalities, one the essence of good, the other the essence of evil, fighting for supremacy in one man. Filled with suspense, the book has had such an impact in popular culture that the expression 'Jekyll and Hyde' has itself become synonymous with extremes of, or inconsistent behavior.

Two centuries ago, a teenage genius created a monster that still walks among us. In 1818, Mary Shelley published Frankenstein, and in doing so set forth into the world a scientist and his monster. The daughter of Mary Wollstonecraft, famed women's rights advocate, and William Godwin, radical political thinker and writer, Mary Shelley is considered the mother of the modern genres of horror and science fiction. At its core, however, Shelley's Frankenstein is a contemplation on what it means to be human, what it means to chase perfection, and what it means to fear things such things as ugliness, loneliness, and rejection. In celebration of the two hundredth anniversary of the publication of Frankenstein, the Lilly Library at Indiana University presents Frankenstein 200: The Birth, Life, and Resurrection of Mary Shelley's Monster. This beautifully illustrated catalog looks closely at Mary Shelley's life and influences, examines the hundreds of reincarnations her book and its characters have enjoyed, and highlights the vast, deep, and eclectic collections of the Lilly Library. This exhibition catalog is a celebration of books, of the monstrousness that exists within us all, and of the genius of Mary Shelley.

On the 200th anniversary of the first edition of Mary Shelley's Frankenstein, Transmedia Creatures presents studies of Frankenstein by international scholars from converging disciplines such as humanities, musicology, film studies, television studies, English and digital humanities. These innovative contributions investigate the afterlives of a novel taught in a disparate array of courses - Frankenstein disturbs and transcends boundaries, be they political, ethical, theological, aesthetic, and not least of media, ensuring its vibrant presence in contemporary popular culture. Transmedia Creatures highlights how cultural content is redistributed through multiple media, forms and modes of production (including user-generated ones from “below”) that often appear synchronously and dismantle and renew established readings of the text, while at the same time incorporating and revitalizing aspects that have always been central to it. The authors engage with concepts, value systems and aesthetic-moral categories—among them the family, horror, monstrosity, diversity, education, risk, technology, the body—from a variety of contemporary approaches and highly original perspectives, which yields new connections. Ultimately, Frankenstein, as evidenced by this collection, is paradoxically enriched by the heteroglossia of preconceptions, misreadings, and overreadings that attend it, and that reveal the complex interweaving of perceptions and responses it generates. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

Mary Shelley's 1818 novel Frankenstein is its own type of monster mythos that will not die, a corpus whose parts keep getting harvested to animate new artistic creations. What makes this tale so adaptable and so resilient that, nearly 200 years later, it remains vitally relevant in a culture radically different from the one that spawned its birth? Monstrous Progeny takes readers on a fascinating exploration of the Frankenstein family tree, tracing the literary and intellectual roots of Shelley's novel from the sixteenth century and analyzing the evolution of the book's figures and themes into modern productions that range from children's cartoons to pornography. Along the way, media scholar Lester D. Friedman and historian Allison B. Kavey examine the adaptation and evolution of Victor Frankenstein and his monster across different genres and in different eras. In doing so, they demonstrate how Shelley's tale and its characters continue to provide crucial reference points for current debates about bioethics, artificial intelligence, cyborg lifeforms, and the limits of scientific progress. Blending an extensive historical overview with a detailed analysis of key texts, the authors reveal how the Frankenstein legacy arose from a series of fluid intellectual contexts and continues to pulsate through an extraordinary body of media products. Both thought-provoking and entertaining, Monstrous Progeny offers a lively look at an undying and significant cultural phenomenon.

In The Everest Effect Elizabeth Mazzolini traces a series of ideological shifts in the status of Mount Everest in Western culture over the past century to the present day and links these shifts to technologies used in climbs. By highlighting the intersections of technology and cultural ideologies at this site of environmental extremity, she shows both how nature is shaped—physically and symbolically—by cultural values and how extreme natural phenomena shape culture. Nostalgia, myth, and legend are intrinsic features of the conversations that surround discussions of historic and contemporary climbs of Everest, and those conversations themselves reflect changing relations between nature, technology, and ideology. Each of the book's chapters links a particular value with a particular technology to show how technology is implicated in Mount Everest's cultural standing and commodification: authenticity is linked with supplemental oxygen; utility with portable foodstuffs; individuality with communication technology; extremity with visual technology; and ability with money. These technologies, Mazzolini argues, are persuasive—and increasingly so as they work more quickly and with more intimacy on our bodies and in our daily lives. As Mazzolini argues, the ideologies that situate Mount Everest in Western culture today are not debased and descended from a more noble time; rather, the material of the mountain and its surroundings and the technologies deployed to encounter it all work more immediately with the bodies and minds of actual and “armchair” mountaineers than ever before. By moving the analysis of a natural site and phenomenon away from the traditional labor of production and toward the symbolic labor of affective attachment, The Everest Effect shows that the body and nature have helped constitute the capitalization that is usually characterized as taking over Everest.

Did Mallory and Irvine reach Everest's summit 30 years before Hillary and Tenzing? Until now, clues about what happened to these two Everest pioneers had been scant and misleading. Until now, no one has known whether they reached the summit. Until now, no one has known where or how they perished.

This is a detective story of the first order. It is the story not just of Mallory and Irvine's last climb, but of the team of climbers and researchers who, together, found the body of perhaps Britain's greatest mountaineer and uncovered the startling story he had waited so long to reveal. Written by the three key members of the team, and incorporating extensive interviews with other team members, GHOSTS OF EVEREST is the dramatic unfolding of both the 1999 and 1924 expeditions, woven together into a compelling narrative.

This book is the definitive account and has become an instant classic.

Winner of the 2019 Banff Mountain Book Award for Climbing Literature Winner of the 2019 National Outdoor Book Award for Outdoor Literature Shortlisted for the 2019 Boardman Tasker Award Inner Ranges brings together an enlightening and entertaining selection of mountain writing by one of Canada's most respected adventure journalists and thinkers. This collection of original and previously published pieces includes provocative editorial and opinion work about the state of adventure, personal tales from a life of exploration and risk-taking, some touches of humour, and award-winning profiles of some of Canada's mountaineering greats. Stories include conversations with and profiles of alpine personalities such as Barry Blanchard, Sonnie Trotter, Lena Rowat, Raphael Slawinski, David Jones and many more. Bringing these essays together for the first time has given Geoff the unique opportunity to reflect back on the stories behind the stories, the consequences of their publication, and the sometimes complex processes of writing about adventure and adventurous lives.

Every winter settlers of the U.S. and Canadian Mountain West could expect to lose dozens of lives to deadly avalanches. This constant threat to trappers, miners, railway workers-and their families-forced individuals and communities to develop knowledge, share strategies, and band together as they tried to survive the extreme conditions of avalanche country. The result of this convergence, author Diana Di Stefano argues, was a complex network of formal and informal cooperation that used disaster preparedness to engage legal action and instill a sense of regional identity among the many lives affected by these natural disasters. Encounters in Avalanche Country tells the story of mountain communities responses to disaster over a century of social change and rapid industrialization. As mining and railway companies triggered new kinds of disasters, ideas about environmental risk and responsibility were increasingly negotiated by mountain laborers, at the elite levels among corporations, and in socially charged civil suits. Disasters became a dangerous crossroads where social spaces and ecological realities collided, illustrating how individuals, groups, communities, and corporate entities were all tangled in this web of connections between people and their environment. Written in a lively and engaging narrative style, Encounters in Avalanche Country uncovers authentic stories of survival struggles, frightening avalanches, and how local knowledge challenged legal traditions that defined avalanches as acts of god. Combining disaster, mining, railroad, and ski histories with the theme of severe winter weather, it provides a new and fascinating perspective on the settlement of the Mountain West.

Carrying only basic camping equipment and a collection of the world's great spiritual writings, Belden C. Lane embarks on solitary spiritual treks through the Ozarks and across the American Southwest. For companions, he has only such teachers as Rumi, John of the Cross, Hildegard of Bingen, Dag Hammarskjöld, and Thomas Merton, and as he walks, he engages their writings with the natural wonders he encounters--Bell Mountain Wilderness with Søren Kierkegaard, Moonshine Hollow with Thich Nhat Hanh--demonstrating how being alone in the wild opens a rare view onto one's interior landscape, and how the saints writings reveal the divine in nature. The discipline of backpacking, Lane shows, is a metaphor for a spiritual journey. Just as the wilderness offered revelations to the early Desert Christians, backpacking hones crucial spiritual skills: paying attention, traveling light, practicing silence, and exercising wonder. Lane engages the practice not only with a wide range of spiritual writings--Celtic, Catholic, Protestant, Buddhist, Hindu, and Sufi Muslim--but with the fascination of other lovers of the backcountry, from John Muir and Ed Abbey to Bill Plotkin and Cheryl Strayed. In this intimate and down-to-earth narrative, backpacking is shown to be a spiritual practice that allows the discovery of God amidst the beauty and unexpected terrors of nature. Adoration, Lane suggests, is the most appropriate human response to what we cannot explain, but have nonetheless learned to love. An enchanting narrative for Christians of all denominations, Backpacking with the Saints is an inspiring exploration of how solitude, simplicity, and mindfulness are illuminated and encouraged by the discipline of backcountry wandering, and of how the wilderness itself becomes a way of knowing-an ecology of the soul.

At twenty-two, Cheryl Strayed thought she had lost everything. In the wake of her mother’s death, her family scattered and her own marriage was soon destroyed. Four years later, with nothing more to lose, she made the most impulsive decision of her life. With no experience or training, driven only by blind will, she would hike more than a thousand miles of the Pacific Crest Trail from the Mojave Desert through California and Oregon to Washington State — and she would do it alone.
Told with suspense and style, sparkling with warmth and humor, Wild powerfully captures the terrors and pleasures of one young woman forging ahead against all odds on a journey that maddened, strengthened, and ultimately healed her.

On a May afternoon in 1943, an Army Air Forces bomber crashed into the Pacific Ocean and disappeared, leaving only a spray of debris and a slick of oil, gasoline, and blood. Then, on the ocean surface, a face appeared. It was that of a young lieutenant, the plane's bombardier, who was struggling to a life raft and pulling himself aboard. So began one of the most extraordinary odysseys of the Second World War.

The lieutenant’s name was Louis Zamperini. In boyhood, he'd been a cunning and incorrigible delinquent, breaking into houses, brawling, and fleeing his home to ride the rails. As a teenager, he had channeled his defiance into running, discovering a prodigious talent that had carried him to the Berlin Olympics and within sight of the four-minute mile. But when war had come, the athlete had become an airman, embarking on a journey that led to his doomed flight, a tiny raft, and a drift into the unknown.

Ahead of Zamperini lay thousands of miles of open ocean, leaping sharks, a foundering raft, thirst and starvation, enemy aircraft, and, beyond, a trial even greater. Driven to the limits of endurance, Zamperini would answer desperation with ingenuity; suffering with hope, resolve, and humor; brutality with rebellion. His fate, whether triumph or tragedy, would be suspended on the fraying wire of his will.

The Appalachian Trail stretches from Georgia to Maine and covers some of the most breathtaking terrain in America—majestic mountains, silent forests, sparking lakes. If you’re going to take a hike, it’s probably the place to go. And Bill Bryson is surely the most entertaining guide you’ll find. He introduces us to the history and ecology of the trail and to some of the other hardy (or just foolhardy) folks he meets along the way—and a couple of bears. Already a classic, A Walk in the Woods will make you long for the great outdoors (or at least a comfortable chair to sit and read in).

At the dawn of the next world war, a plane crashes on an uncharted island, stranding a group of schoolboys. At first, with no adult supervision, their freedom is something to celebrate; this far from civilization the boys can do anything they want. Anything. They attempt to forge their own society, failing, however, in the face of terror, sin and evil. And as order collapses, as strange howls echo in the night, as terror begins its reign, the hope of adventure seems as far from reality as the hope of being rescued. Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, Lord of the Flies is perhaps our most memorable novel about “the end of innocence, the darkness of man’s heart.”

Author of the masterpieces Animal Farm and Nineteen Eighty-Four, George Orwell, the nom de plume of Eric Arthur Blair, experienced, explored and explained some of the defining political, economic and social traumas of his time – predicaments that have, and will always be, part of Man's infatuation with power and power politics. Orwell's experiences of colonial exploitation in Burma, extreme poverty in Paris, London and the industrial North, and the horrors of ideological deceit and betrayal during the Spanish Civil War fashioned his literary persona, his political canon and influenced his vision of a future dystopia. This book explores Orwell's journey to dystopia, using his major texts as milestones, and also examines the author as a divided self and as a chronicler of his age on a fateful journey to dystopia. Furthermore, it investigates his responses to the use of what he calls ‘force and/or fraud' in the politics of his time, seeking a new understanding of the tensions and contradictions that characterise his writing. The analyses explain how authoritarian systems and totalitarian regimes manipulate power and employ pretence in order to divide the self and force individuals and society into obedience. The book argues that new insight into Orwell's political views is gained by investigating Niccolò Machiavelli's The Prince, where Machiavelli uses the phrase ‘force or fraud' to encourage totalitarian tactics in running a State. Milestones on the Road to Dystopia: Interpreting George Orwell's Self-Division in an Era of ‘Force and Fraud' presents new insights that interpret the close relationship between self-division, paradox and the use of a pseudonym, demonstrating how they help in understanding Orwell's character, works and the nature of totalitarian politics. Analysing self-division, both as an Orwellian trait and as a totalitarian strategy, and finding a connection with Machiavelli, against the milieu of Orwell's development as a writer, is an intricate and interrelated topic that has not previously received critical attention, either in its individual parts or as an integrated study. This book establishes an essential template with which to analyse Orwell's self-division apropos his growing fears of totalitarian power politics, and offers distinct analytical acumens that allow for an updated understanding of Orwell and of his relevance to political thought and the question of ‘common decency' in twenty-first century literature and politics.

Whether as a fighter in the Spanish Civil War, an advocate of patriotic Socialism or a left-wing opponent of the Soviet Union, George Orwell was the ultimate outsider in politics - insecure, scornful of orthodoxies, cussedly independent. Best known today as the author of Animal Farm and Nineteen Eighty-Four, Orwell also wrote seven other full-length books and and a vast number of essays, articles and reviews. A pioneering cultural critic, he addressed a range of important issues including art, literature, 'Englishness', mass communication and the spectre of totalitarianism. Famously describing his own background as 'lower-upper-middle class', Orwell had a complex relationship with Marxism and all his work reflects the influence of British communism. In this thoughtful and original study Philip Bounds argues that Orwell's writings effectively took the form of a dialogue with the leading British Marxists of his day. Bounds shows that Orwell often agreed with the Marxists and built on their insights in his writings, while on other occasions he used his disagreements with them as the basis of his own critical position. Through close analysis of Orwell's writings as well as his historical and literary context, Bounds has produced an important study of one of the iconic writers of the 20th century. 'Orwell and Marxism' offers a thorough introduction to Orwell the intellectual, reviving his reputation as a serious cultural thinker and documenting his most important influences, as well as a convincing portrait of British Marxism and society in the 1930s and 40s.

An intellectual who did not like intellectuals, a socialist who did not trust the state, a writer of the left who found it easier to forgive writers of the right, a liberal who was against free markets, a Protestant who believed in religion but not in God, a fierce opponent of nationalism who defined Englishness for a generation. Aside from being one of the greatest political essayists in the English language and author of two of the most famous books in twentieth century literature, George Orwell was a man of many fascinating contradictions, someone who liked to go against the grain because he believed that was where the truth usually lay. George Orwell. English Rebel takes us on a journey through the many twists and turns of Orwell's life and thought, from the precocious public school satirist at Eton and the imperial policeman in Burma, through his early years as a rather dour documentary writer, down and out on the streets of Paris and London and on the road to Wigan pier, o his formative experiences as a volunteer soldier in the Spanish Civil War. Above all, the book skilfully traces Orwell's gradual reconciliation with his country, a journey which began down a coal mine in 1936 to find its exhilarating peaks during the dark days of the Second World War.